In Lhasa

In Lhasa

I am in Lhasa, the capital of Tibet. I’ve been here for four or five days, and in two further days I will leave to return to Beijing, and then to Paris on Sunday. It’s now two weeks since I left home.

I’ve changed my hotel room. I came here on a guided tour organised as part of the conference I attended in Xining, and that tour finished a day or so ago. In in the space of three days I saw an incredible amount of sights, but now at last I have time to absorb it all before I head west. Our tour company organised things efficiently for us but, alas, without almost any sense of aesthetics. We were booked into a clean, modern Chinese hotel in the new part of Lhasa. All our needs were catered to. Our guide was slightly incredulous that we had no interest in eating (Chinese food) in the hotel’s (almost) subterranean dining room facing the parking lot when we could be wandering the ancient streets of Lhasa and eating momo and drinking yak butter tea.

My new hotel is infinitely preferable to my older one. I am in the centre of town on almost the last floor. It is a damp morning, like most mornings here, and the mountains surrounding the town are wreathed in cloud. A fine misty rain is falling. Heavy storms rolled over the city last night and this morning, which is a little hard to imagine, as we are already at an altitude of 3,400m. From my hotel window I see a chaotic jumble of rooftops, slightly strange here for Lhasa as almost all the buildings have flat roofs and are almost all the same height. My small hotel room is filled with intricately patterned traditional Tibetan wooden furniture, which is a great relief after weeks of anonymous Chinese hotels.

One metre across the narrow street I see a rooftop garden with dozens of flowers in pots. An elderly lady emerged only a few minutes ago to water them. On a old iron drum nearby there is a blue thermos which I know is probably full of Yak butter tea. A few meters further to left to the left I see many coloured cloths tied to a pole high on the roof. These are prayer flags, each scrap of cloth contains incantation after incantation, lines and lines of prayer. The closer to the sky these prayer flags are, the more powerful they are. The mountains around Lhasa (some of which reach more than 4,000m) are covered in them. The air is full of the sounds of horns and bells, Lhasa’s chaotic traffic. The street where my hotel lies is a market street, full of every imaginable kind of produce. There are people there until late into the night.

This is where I am; in the next day or two I will try to recount where I have been.

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Crossing the empty spaces: Xining to Lhasa

Crossing the empty spaces: Xining to Lhasa

So the story to tell now is how I traversed the great empty spaces between Xining and Lhasa, the capital of Tibet. In the past, the only overland route for such a journey would have involved days on a crowded bus over narrow treacherous roads, if you were lucky enough to get a travel permit. Lhasa is high on the Tibetan plateau, at an altitude of 3400m, and getting there in olden days was well-nigh impossible. Tibet was a real mountain kingdom, a distant inaccessible land.

Of course all that has changed. In the last year the Chinese government has finished an enormous construction project, costing billions of dollars, with the ultimate aim of linking Lhasa and Beijing by railway. The part of the railway between Goldmud and Lhasa was opened this year, and now each evening at ten a train arrives carrying voyagers from the other side of the Tibetan plateau. This was the train that I took, from Xining. A voyage which lasted around 25 hours and reached in places altitudes of 5000 metres…

Last Friday evening a small group of us assembled on the steps of Xining train station and were taken to the train by our Chinese guides, through an incredible press of people. The train was making a brief stop in Xining before continuing on to Lhasa, and this was where we boarded. There was around twelve of us in our group, and all of us had been in Xining for a conference. I found easily enough my narrow bed, one of six, in a small cabin. My cabin companions were polite but spoke no english. Although it was only 10.30pm in the evening, the easiest thing to do was to do go to sleep; there was nothing else to do. And sleep came rapidly, thanks to the rocking of the train on the rails. We were travelling at a leisurely sixty kilometres an hour towards Lhasa. A short time after I had stretched out in my bed (miraculously I had space enough for that) the wagon guard drew the curtains and turned off the lights.

The next morning I awoke somewhat abruptly to the muffled strains of Chinese martial music. The lights were on once more, the curtains drawn. Time to wake up. I struggled from my bed and peered out. An arid, desolate landscape scrolled past the windows, flat and uninhabited. Absolutely nothing was visible in all directions. At each window down the length of the car, Chinese tourists were avidly taking photographs and video footage. Or preparing breakfast. Each wagon featured an abundant supply of hot water and throughout the journey passengers were constantly making tea or noodles. None of that for me! I located an electric socket on the train and before too long I was preparing espresso in my ‘moka electrika’; real coffee is almost impossible to find in China.

The train stopped at Golmud, and the public address system informed us in great detail (with many precise statistics) of the virtues of this completely lost city, what mineral resources were available, how many people lived there. How it was an essential staging post for the construction of the Beijing-Lhasa railway. We had a few minutes in the rain on the platform before before boarding the train once more. I don’t think anyone got on the train. Between these public service announcements throughout the voyage we were subjected to a bewildering variety of music, from Chinese pop to pseudo-tibetan folk music to marching music, all at an ear-splitting volume. Luckily I had my ear-plugs. I suppose the music selection was designed to inspire us when confronted with this vast land. I soon realised that many Chinese on the train were humming the airs sotte voce throughout the journey.

Our altitude slowly increased. I became gradually aware of a hissing noise everywhere throughout the train. Although the cabins were not pressurised, they were oxygenated, and a steady flow of gas came from nozzles in each cabin. I began to feel slightly light-headed from the thinness of the air. I am sure that our week in Xining, altitude 2000 metres, had helped us to acclimatise, but still.

Now there were salt flats sliding past the cabin windows, great expanses of the whites and browns. The PA system informed us of the immense difficulties that had been overcome to lay train-tracks over this barren wasteland. Every so often, we passed a row of green huts and trucks: Chinese military barracks, each one more remote than the last. I imagined sleeping and working there, the extreme remoteness of it all. It was the only form of habitation we saw.

Next there were mountains with snow; and then were surrounded by snow-fields and glaciers. Freezing clouds enveloped the train; our altitude was now well above 4000 metres. We were higher than the summit of Mauna Kea. We were travelling over the permafrost, and the cabin loudspeakers told us what a feat of engineering it was to lay train tracks on ground which shifts and melts, which isn’t really solid at all.

The snow receded, we were crossing grasslands. A lake, an enormous limitless lake appeared, beautiful blue-green waters stretching impossibly far away. The world’s highest freshwater lake, we were told. After that, signs of habitation became visible. We stopped at brand new stations constructed in the middle of unending wilderness; the train doors did not open, presumably because of the incredible altitude. Passengers might faint on the platform. Station Na Qu, for example, at 4,513 metres above sea level. I felt almost as if I was in a spaceship, travelling through hostile alien lands with no breathable atmosphere.

A few more scattered habitations became visible, huts lost in the plain. I remember seeing two men lying beside their motorcycle, watching the train go past. I tried to imagine what life must have been like in this land before the train arrived. What life must be like now. Then darkness fell, and after another six or so hours of travel, we arrived in Lhasa. The train station, an enormous modernist structure, was brand new, and far outside the town, so we had no sense of the city when we arrived. That would have to wait until the next day.

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In Xining

In Xining

Travelling again, this time far to the east, to a city at the other end of the alphabet and the Eurasian continent. A journey that Mr. Marco Polo would have taken months and years to make was one I made whilst leisurely reading my books and sipping champagne (Air France unexpectedly upgraded my ticket to business class, doubtless as a result of my endless voyages around the globe. My aeroplane even passed over Ulan Bator, one of my favourite ‘uttermost places’ as Bruce Chatwin would have called it, before landing in Beijing.) A thousand kilometers to the north of here are the vast open expanses of the Monogolian steppe, deserts unmeasurable to man. Xining itself is full of greys and browns and little green; a dry town it seems.

I spent two days in Beijing before heading out here. It is the first time I am in China. Beijing seems to me to be a city of great extremes: broad stalinien avenues with imposing buildings either side of the treeless boulevards, which alternate with narrow hutongs, a warren of narrow streets and alleys which seem to have existed for centuries. Some these areas seem to border on waste ground, or are in the process of being demolished….Tianamen of course was very impressive; with a strong central authority one can of course undertake all sorts of grandiose architectural schemes.

But right now I am in central china, in a city of two millions, an ancient stop on the old silk road but now a forest of high-rise buildings. Every tower seems to have been constructed in the last few decades although during the arrival from the airport I saw old earth-coloured buildings merging into hillside, structures which seemed very old. But this new city is shrouded in smog and the horizon and mountains around are invisible. So it must have be in Manchester and London a hundred years ago, I suppose. In my hotel room I can hear incessant banging and clanking coming from a new high-rise under construction next to here. But far below some of the buildings below seem semi-derlict. The view from my hotel room window (which has not been cleaned in many millennia) looks like this:

I am here for one week, for a conference, and then I am heading to Tibet, yes, Tibet. On the famous train which goes to 5 kilometers above sea level. I will try to write about that, too. And about Xining, before I leave.

On my six months with Mr. Pynchon's "Against the day"

On my six months with Mr. Pynchon's "Against the day"

I’ve just finished — a few weeks ago — Mr. Pynchon’s latest novel, “Against the day”. The book is a weighty 1100 pages long. The actual physical bulk of Mr. Pynchon’s text makes reading it even more challenging. Being in Paris, of course, one would like to spend some time on a nice terrace somewhere with the damn thing, but the book is so heavy that one thinks twice about taking it anywhere. My slim civil-service briefcase (honestly) bulged noticeably and I always knew I had it with me. On the crowded metro line four, everyone looked at me when I took it from my bag. On longer transatlantic voyages I thought twice about packing it with me as I am a checked-luggage only kind of guy and adding that book means subtracting socks for a week. The last book of considerable bulk that I read was David Foster Wallaces’ “Infinite Jest” which was also over the 1,000 page mark (but that was a paperback).

Yes, but what about the book? It’s of course impossible to distil it’s essence into a few words. There is the thinnest of plot lines to connect all the disparate threads of the book: it’s a cowboy revenge story set around the turn of the century which crosses many different continents, from the far American west to deep under the deserts of inner Asia. Mr Pynchon’s book teems with characters, most of which only appear once never to be seen again. Because the book is so long it can be difficult to keep track of everyone (a friend of mine kept an annotated Dramatis Personae to remind him who was who). Floating above the main action of the book are the ballonists “the Chums of Chance” a “Band of Boys” drawn in from the classic adventure-story mould. In the best metafictional tradition however, these boys are aware of the novels they appear in. They communicate back with (an ill-defined) base using an action-at-distance receiving apparatus which works thanks to one of Nicola Tesla’s lesser known discoveries in the physical sciences.

For me that’s what makes the book so enjoyable — it’s the geeky humour and scientific in-jokes. In Mr. Pynchon’s Universe, coyboys are au fait with the latest developments in experimental physics, such as Michelson and Morley’s famous interfermetric experiments. In our universe, those experiments demonstrated conclusively that the lumiferous ether didn’t exist but in Mr. Pynchon’s continuum this outcome is never so clearly stated. At the beginning of the twentieth century it was not apparent which path modern physics would go down, what things would be possible and what things would be impossible. Suppose there really was a lumiferous ether? And that Mr. Tesla’s inventions really did work as advertised? All sorts of things could become possible, including travelling in time. In one of my favourite scenes in the book, the Chums of Chance take a trip in a poorly-maintained time-machine operated underneath a stretch of New York’s elevated subway (where there is, of course, a plentiful supply of electricity). It’s not clear where the Chums are hurled, the distant past or the distant future, but they catch a terrifying glimpse of dark plain filled with unknown beasts and an overpowering stench of decay and excrement.

There are other brilliant scenes in the book — the Chums’ descent deep under the desert using a new form of propulsion — but they are embedded deep in several other threads of the story which are much less interesting. It’s not clear where Mr. Pynchon is going here; his last book, “Mason and Dixon” offered a slightly less opaque story, with characters one could care about (it’s still my favourite book of all time about astronomers) and many of the same themes of “Against the day”. It’s impossible not to admire the immense erudition and energy of this latest work but hey! Why not edit it just a little?